End of the World Parade

Robota Black

Robota Black is a fictional pop artist I designed and built from scratch. She does not exist, but the music, visuals, and performances do.

This project began as an experiment in plausibility: could I use emerging AI tools alongside traditional production techniques to create a fully authored artist that felt coherent, intentional, and real within the current media landscape?

The answer, surprisingly, was yes.

Robota Black is presented as a 25-year-old artist shaped by the emotional climate of the mid-2020s. The tone is nihilistic, confrontational, and unapologetic. Sonically, the work sits somewhere between electronic pop, rap, and industrial brat energy. There was no genre goal. I followed what felt honest at the time, wrote the lyrics in a charged moment, and trusted the material to tell me what it was.

Building the Work

This was my first attempt at using high-end AI music generation as a foundation.

The audio was created using Suno, exported as individual stems, and then rebuilt manually. I isolated the vocal performances, reshaped arrangements, and treated the material as raw source audio rather than finished output. Nothing here was “one-click.” Every decision passed through traditional editing, timing, pacing, and finishing workflows.

The visual side followed the same philosophy.

Robota Black’s appearance and performances were assembled from generated assets, but brought together using conventional editing tools and design instincts. I used HeyGen to animate the character, learning the platform in real time. In retrospect, I would approach performance capture differently, working in shorter clips to extract more expression. That learning curve is part of the project. This was about discovering a pipeline, not polishing a demo.

No footage was shot. Everything was constructed. Assets were generated, selected, discarded, rebuilt, and assembled until the final piece felt internally consistent.

Authorship and Control

While AI tools were used extensively, this project is authored.

I wrote the lyrics. I defined the persona. I shaped the mood, the pacing, the visual language, and the final presentation. The tools accelerated certain steps, but they did not replace taste, judgment, or responsibility for the result.

At release, some viewers were unsure whether Robota Black was real. That ambiguity was intentional. The project was never about deception for its own sake. It was a proof of concept for character-driven media, world-building, and AI-assisted production that still feels deliberate and human.

Why This Matters

Robota Black was created in July 2025. In technology terms, that matters.

The tools used here already look primitive by current standards. That is not a weakness of the project, it is the point. This work captures a moment where multiple systems could be combined into a single, coherent pipeline by someone who understands audio, design, editing, and narrative structure.

This was not about chasing novelty. It was about answering a practical question:

Can an individual creator design, produce, and launch a believable artist and world using modern tools, without a studio, a crew, or traditional infrastructure?

This project proved that it is possible.

Robota Black is my first fully realized attempt at building a character, a sound, and a visual identity from nothing but an idea, a set of tools, and a willingness to finish the work.